So far I have been unable to find any link mentioned in any YouTube video that still works. But…with respect… I am amazed by your ‘faint praise’ for Twisted Wave. It is hugely popular, and in my view one of the most nimble and logical of editors. For me personally, on a Windows PC, I use Cubase and Soundforge. If I had my way I’d have Sony bring their Mac SoundForge up to the same level as the Windows version, and then use Cubase and SoundForge.

This is an important question, and not a stupid question at all. Money and budget is a serious factor, but so is your workflow and productivity. It’s up to you to evaluate your budget but I can help with the workflow. This is so cheap in fact, that there is an argument that as a piece of voiceover software, and for all your DAW needs, this is the only choice as it has all the main things you really need. Last but not least, making huge waves in the industry is the newest kid on the block, Reaper.

It’s making huge waves because it’s in constant development and it’s super-cheap for what it is but with good functionality. Let’s be frank, it’s very light in features compared to the big boys, but what’s there is very good and it’s developing at a fast pace. Keyboard shortcuts are editable so you can customise your own workflow and it will enable you to do all the fine editing you need in a separate editor window.

The pricing structure for Creative cloud is fairly straight forward, if you only want one program you pay £19.97 per month, and if you want 2 or more you pay £49.94 per month. Audition is as feature-rich and intuitive as Sound Forge, and the PC and Mac versions are as identical as they possibly can be. Providing a visual representation of the audio file, areas you are working on, sometimes in decibels sometimes via spectral views and so on, with audio meters to show specific levels at various points.

Editing the audio file, for example selecting an area, moving it, deleting it, copying it and so on. Audio editors do exactly what they say on the tin – they edit audio. In almost all casesthey edit destructively,meaning that as you make a change to a file it is saved into the source audio file itself. This is important to note as it affects your workflow and how you should backup & manage your audio files. Voiceover Software – there are many different types, brands and makes of voiceover software on the market.

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Generally it feels much more intuitive and user friendly java runtime than Audacity, so if you’re limited to a free piece of software I’d definitely go for this one over Audacity. The audio engine is ok, but like Audacity it’s got a very clunky user interface and in my opinion isn’t worth the money. What a lot of people consider a downside is that you can’t buy the program outright anymore, it’s a monthly (or annual – but it costs the same) subscription.

It’s easily laid out and has one of the best audio engines in the world. In terms of support Steinberg also have their act sorted out – you ring up, you get through to a guy called Herman – he talks to you until your problem is fixed. They don’t charge you for it, or ask you to purchase a support pack. 10 years ago, Steinberg’s software was full of bugs but since brought out by Yamaha it’s now very stable, immaculately designed and hugely powerful. One of the main differences is that DAW’s edit non-destructively.

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I started with Cool Edit Pro years back and stuck with Adobe when they took over. I purchased CS6 right before they made Creative Cloud the only version available. I’m sure I’ll eventually go with CC once CS6 seems ancient. It’s a single track editor, but then again, for VO, that’s all we need most of the time.

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